This is the seventh and last of the stories about the WEKEVED Records being released on Thursday, 9/19/19.
Spontaneous Composition came about one day in August of 2012. I was feeling creative, and so set up microphones and started recording some ideas that came to mind. I did one, then another, and another. At the time it didn’t seem unusual. I do lots of improvising in different ways all the time. For church services I might improvise a prelude or postlude. For musical theater, I often improvise transitional music for scene changed. When accompanying ballet classes, it was often a simpler thing for me to improvise music to fit the various exercises, than trying to think of compositions.
So as I was playing and recording that August 1st, back in 2012, I enjoyed being able to just create compositions that could grow and develop on their own, not in reference to a dance or a play. What surprised me was that as I listened and prepared to select, edit and perhaps re-record these for some future project, I found that they were as good as I could do. There were no edits I could find to improve these tracks. And even more astonishing to me, the order seemed to be perfect. I really expected to make many changes; that these were just rough drafts. But as I listened and shared these with others, I decided to leave them as they are.
10 tracks of original music, improvised in order.
At first I called them: Improvisation 1, 2, 3 …But even I could see that distinct lack of imagination that showed. I chose the album title Spontaneous Composition. Then my brother, Keith, helped me come up with more imaginative track titles:
- Shadow Dance
- Spontaneous Combustion
- Burning Questions
- Glowing Embers
- Ignite a Spark
- Sparks Flying
These pieces may be worth writing out, re-recording, or even orchestrating some day. But for now, they stand as a pleasant memory of a special day. Take the time to listen even just to the one track that will be posted on the web page.
Use the code to get a free album:
Anyone can use it once. Share it with your friends.
Senior Recital, 1980. WEKEVED Records.
Most musicians would not want to share their high school playing with anybody. But as I was considering re-recording pieces I had played in my high school years, I found a cassette tape of the recital that my teacher, the late Leigh James Unger, arranged for me to play at California State University, Fullerton, on their new 9’ Steinway grand. And to my suprise, this tape sounded pretty good.
In particular, I had been thinking of the set of dance pieces, “Tanzstücke”, by early 20th century composer German Paul Hindemith. It took me a while to warm up to these pieces that my teacher had assigned me. But their aggressive rhythms won me over, even over the dissonances, and quartal “harmonies.” I had never heard another performance, nor even seen another copy of the music. So recently, I thought maybe I should work these pieces up again, and make a recording of these pieces since there seemed to be none. Then I found my old tape and realized with all the time, concentration and work I put into the whole recital, way back then, in 1980, I played these pieces as well as was ever going to. In addition, now there are plenty of Youtube videos of people playing these pieces.
These are not all perfect performances, but many friends and relatives were there who may enjoy hearing it again. And those of you who want to hear me playing something “completely different”, here is your chance. It was a good start to my piano playing life. And so it will be available starting 9/19/19.
- Prelude and Fugue in C min – J.S. Bach
Sonata in C. Op. 2, No. 3 – Beethoven
- Mvt.1 – Allegro con brio.
- Mvt.2 – Adagio.
- Mvt.3 – Scherzo – Allegro
- Mvt.4 – Allegro assai
- Etude Op. 25 No. 7 – Chopin
- Bethena – Scott Joplin
- American Beauty – Joseph Lamb
- Waltz in G minor – Kevin Weed
Tanzstücke for piano Op. 19 – Paul Hindemith
- Tanzstücke 1
- Tanzstücke 2
- Tanzstücke 3
- Pantomime – Tanzstücke 4
- Tanzstücke 5
- The Cascades – Scott Joplin
- End space
Approx. 58 minutes total.
WEKEVED Records’ Patriotic Piano, came about as I wanted to share unique arrangements of well-known songs of the USA with friends here and abroad. As an accompanist, I focus on helping the singer(s) sound good. Here, I wanted the piano to speak for itself. Our Fourth of July, Memorial Day and many other dates call out for our patriotic songs. Sometimes an instrumental version is a welcome part of a ceremony, or personal day of reflection. Sing along if you wish.
- America The Beautiful
- America (My Country ‘Tis Of Thee)
- Battle Hymn Of The Republic
- God Bless America – Irving Berlin.
- Armed Forces Medley
- Yankee Doodle
WEKEVED Records presents “Droplets.”
“Droplets” is a different kind of album. It is a set of improvisations on themes, moods, characters and situations presented in the play The Diviners by Jim Leonard, Jr. The thought was to give directors some incidental music to use during a production of the play.
For more information on the play, see the Sam French web site:
Here is an in-depth look at the track list for this album:
- Overture-Zion, Indiana; pop. 40 – An Overture is a nice way to give the audience an idea of the music, instruments, and overall sound to expect for the coming performance. Consider The Sound of Music, or Jesus Christ, Superstar. The sound of the pit orchestra of these two productions is very different. And the overture helps the audience be in tune with what is going to be heard all evening. Click here to hear this overture in a slide-show of Newport Harbor High School’s 2011 production.
- Amazing Grace – on the Mountain dulcimer. The script calls for this. The simple tune, on a simple instrument.
- The following tracks generally refer to situations and moods that happen during the play. Buddy is afraid of water, having nearly drowned at a young age. But also, he can find wells, as a diviner, and predict the rain.
- Country Waltz
- Birds and Angels
- Rain Drops
- Hymn – Shall We Gather At the River. The script calls for a group to sing this near the end of the play.
So look for the release on 9/19/19.
And use the code freewekevedalbum to get a free album.
From WEKEVED Records, “Celtic Piano” is a solo piano album of music from Ireland and Scotland, and similarly styled tunes. I have always liked the jigs and reels, on penny whistles, fiddles and bagpipes. While I will admit that the piano lacks the lightness and charm of the traditional folk instruments, I am principally a pianist, and so I enjoy making my own piano versions of these tunes.
You will recognize the songs “May It Be” and “Into The West” from the “Lord of the Rings” movies. I have accompanied choirs many times singing beautiful arrangements of these songs.
The first tune on this album I call Winter’s Dance. It is a slip jig, in 9/8 time, traditionally a graceful, soft shoe Irish dance. This recording was made to be the correct tempo for Irish dancing.
The last song is “Song for the Mira” by Canadian songwriter, Allister MacGillivray. I was touched by the interest that Allister and his wife, Beverly showed in this recording. They collect versions of Allister’s songs from around the world and said that out of hundreds of versions, they think only 2 have been arranged for the keyboard.
The other tunes on this album are very popular songs and instrumental tunes, but in original piano solo versions.
Here is the complete track list:
- Winter’s Dance – by Kevin Weed
- Irish Reels-Music in the Glen, The Dunmore Lasses, The Banshee
- The Butterfly – Irish slip jig.
- Planxty Fanny Power – Song by the blind Irish harper, Turlough O’ Carolan.
- The Fields of Athenry – Pete St. John’s touching song.
- Will Ye Go, Lassie, Go? – Scottish air
- The High Reel/Star of Munster
- May it Be – by Enya, Nicky Ryan, and Roma Ryan, from “Lord of the Rings,”
- Into the West – by Annie Lennox, Fran Walsh, and Howard Shore. from “Lord of the Rings.”
- Londonderry Aire – famous melody used for many songs.
- Jigs – St. Patrick’s Day, Brian Boru’s March, Garryowen
- Song for the Mira – by Canadian songwriter, Allister MacGillivray.
Another of the WEKEVED albums to be released 9/19/19 is “The Great Highland Bagpipes in the Inner Courtyard of Newport Harbor High School”, or just “Bagpipes at NHHS”.
I got the idea when the building was slated to be torn down. Being an enclosed courtyard, I wondered how bagpipes would sound in it. I liked it, even with wind noise, planes and birds. If you remember this old inner quad, it will sound familiar.
This album is just the bagpipes alone, with no other accompanying instruments.
Along with traditional tunes are some original ones, like Wedding Processional, which I expanded later into a piece for organ and pipes, for a friend’s wedding. On this album is just the pipes.
The tune MacGregor’s Salute is what we call a piobaireachd, or ceòl mòr, big music. It is from the classical music of the Highland pipes. It has a slow melody on which variations are composed. At a length of 8:34, it is shorter than many piobaireachds. This is a slow and thoughtful tune.
The last set of tunes are meaningful to Newport Harbor High School, including their Alma Mater and Fight song (Anchors Aweigh).
So there is a little introduction to Bagpipes at NHHS that will be available starting 9/19/19.
And here is the track list:
- Traditional March, Strathspey & Reel: 4:13
Pipe Major John Stewart, Cabar Feidh,
The Piper and the Dairymaid
- Piobaireachd: MacGregor’s Salute anon. c. 1815 8:34
- Music for Wedding: 4:24
Wedding Processional – by Kevin Weed
Skye Boat Song – traditional
Joyful March – by Kevin Weed
- Two airs by Kevin Weed 3:37
Spirit of Peace
- Hornpipe & Jigs by Kevin Weed: 3:52
Newport Harbor Sailor’s Hornpipe
Fishermen and Fisherwomen
The Pelican. These titles come from the inner courtyard mosaics.
- Amazing Grace Variations by Kevin Weed 7:04
- Songs for Newport Harbor HS: Hail, Harbor High!, 3:02
Anchors Away, Marine’s Hymn, Scotland the Brave.
Here is a little about set of Clementi pieces I recorded this past summer. I recorded the Six Sonatinas, op. 36, by Muzio Clementi because I liked them, and it was good for me to record a whole classical album.
There are many challenges. Over the many days or recording, I have different feelings about tempo and other considerations. That process of choosing and editing you can only learn by doing it. However, one decision was made for me, the order of the tracks. I just recorded them in the order of the publication.
One movement is titled, Air Suisse. I don’t really know what this Swiss Aire would sound like. Is it a song? A traditional folk tune? For alphorns? So I had to make my own choice. This is often an important part of classical music. The composer gives as much as he/she can. Then we also have years of traditions of performance that have grown around the pieces. But ultimately the performer chooses how he will express the piece, which is why performances can sound so different, and why we value hearing many performances of any given piece. Older compositions have time to morph into something quite different from the original. Perhaps Air Suisse was a common style to 18th century Italians, being a speed and rhythm they would have heard many times. But now we have to make an educated guess.
My favorite is number 4. I suppose the drone in the beginning sounds a little like a bagpipe to me!
Look for this along with the other WEKEVED Records starting 9/19/19